The most renowned examples of Benin art are the extraordinary cast sculptures of brass. Brass has a long tradition in West Africa, being used from Mali to the coast of Guinea and from Liberia to the Lower Congo, and more than 1,000 years ago, it began to be used extensively to produce “court art.”

Brasscasters held a unique position among the artisans of Benin. They were a royal guild, and a type of title of nobility was granted to artisans who distinguished themselves through their work. Nevertheless, pieces were often collaborative, and even today, there is no way to determine whether a piece is the creation of a single master or several workers.

Among bronze animal depictions in Benin art, the leopard appears most frequently. As “king of the forest”, his reputation is as great as that of the Oba, or king. Killing a leopard was a privilege of the Oba, who had his own association of leopard hunters equipped with “special powers” which enabled them to kill these animals without losing their own lives.

Animals tamed by hunters accompanied the Oba during his annual procession through Benin City and played an important role in Benin’s military life. Leopard  hides and teeth were conferred upon the Oba’s military commanders to offer protection in battle and to confirm the recipients ‘right to take life.” The leopard symbolised the Oba’s authority, the loyalty of his subjects, and high status. How the leopard came to be a royal symbol, however, is a matter of opinion. In one famous myth, the leopard is heralded for the balance between his strength and his reserve and moderation as a leader. The leopard symbolizes the complete harmony between two compelling forces – the menacing and the moderating – that, in Benin, it is believed every ideal Oba should possess.

Provenance – Acquired from a private collection of tribal art based in Germany.

Condition – Good as per the images. PLEASE NOTE THAT THE STONE MOUNT IN IMAGE 1 IS NOT FOR SALE.

Size – Height 25.5 cm (10″) x Length 29 cm (11 3/8″) x Width 7 cm ( 2 3/4″)